Our online workshops give young aspiring filmmakers the opportunity to explore the production process with the guidance of professional filmmakers. Over the course of 6 weeks (Wednesdays, 4pm-6pm Pacific time), students dive into project based learning that brings their creativity to life.

  • Hands-on assignments that turn creative ideas into finished work

  • Creative projects designed to build real filmmaking skills

  • Learn by creating, experimenting, and fine tuning your craft

If your teen loves film, YouTube, storytelling, or creating videos, it might be time to help them discover the magic of Film Production where stories truly come to life. No experience needed, just creativity and curiosity.


First Step to Starting A Short Film

6 weeks: Wednesdays, September 23 – October 28, 2026

STORYCRAFT: Short Film Development Studio Explore the art of cinematic storytelling through the distinctive voices of filmmakers like Greta Gerwig (Lady Bird), Bong Joon Ho (Parasite), Wes Anderson (The Grand Budapest Hotel), and Ava DuVernay (Selma). Young filmmakers examine how great directors develop characters, build worlds, shape visual style, and turn ideas into compelling stories. Students create their own original short-film concept while learning the fundamentals of screenwriting, character development, visual storytelling, storyboarding, and creative planning. STORYcraft is where young filmmakers discover their voice, develop their story, and begin turning an idea into a film.

Suspense & Thriller

6 weeks: Wednesdays, September 23 – October 28, 2026

SHADOWcraft: Suspense & Thriller Lab: Explore the cinematic art of suspense, mystery, and psychological storytelling through contemporary filmmakers like Curry Barker (Obsession), Jordan Peele (Get Out), and Ari Aster (Hereditary). Students examine how pacing, atmosphere, character, cinematography, editing, and sound create tension and keep audiences engaged. They’ll develop their own suspense-driven short film while learning to write, storyboard, direct, and edit with an emphasis on mood, visual storytelling, and psychological depth. From mysteries and thrillers to supernatural and unsettling character-driven stories, SHADOWcraft challenges young filmmakers to discover what creates tension, and turn it into cinematic storytelling.


Camera Dept.

6 weeks: Wednesdays, January 13 - February 17, 2027

Cinematography & Visual Storytelling: Explore the visual language of filmmaking through the distinctive work of cinematographers and directors like Roger Deakins (Blade Runner 2049), Kathryn Bigelow (The Hurt Locker), and Denis Villeneuve (Dune). Young filmmakers examine how framing, composition, camera movement, lenses, lighting, color, and visual rhythm shape the way audiences experience a story. Students experiment with cinematic techniques and learn how to translate a script and storyboard into intentional images. This workshop challenges young filmmakers to stop simply recording a story, and learn how to see it.

DIRECTING Short Films

6 weeks: Wednesdays, January 13 - February 17, 2027

DIRECTOR: Short Film Pre-Production Studio: Explore the art of directing through a producer’s lens. Study the distinctive approaches of Daniel Kwan & Daniel Scheinert (Everything Everywhere All at Once), Olivia Wilde (Booksmart), and Ryan Coogler (Black Panther). Students examine visual symbolism, ensemble blocking, performance, genre, music, and creative production design. They’ll learn how directors turn personal ideas into cinematic experiences while developing their own directorial voice. Students will work with actors, block scenes, communicate with crew, plan a shoot, and make creative decisions within real production constraints. Learn to lead the creative vision, and develop the producer’s eye to understand what it takes to make that vision happen.

PRODUCING Short Films

6 weeks: Wednesdays, January 13 - February 17, 2027

PRODUCER: Short Film Pre-Production Explore producing through the distinctive approaches of Kathleen Kennedy (Jurassic Park, Star Wars), Kevin Feige (Black Panther, Avengers: Endgame), and Emma Thomas (Oppenheimer, The Dark Knight). Students learn how producers turn creative visions into achievable productions by managing budgets, schedules, teams, locations, equipment, and logistics. Working from a film project, students coordinate departments, anticipate challenges, and build the systems needed to move a production from creative development to the set. Learn to build the plan, organize the team, and execute the creative vision.


ON SET: Short Film Production

6 weeks: Wednesdays, April 21 - May 26, 2027

ON SET: Short Film Production Step onto set on day one with a plan. In this workshop you will learn what it takes to make a professional production run. Inspired by filmmakers like Christopher Nolan (The Odyssey), Denis Villeneuve (Dune), and Destin Daniel Cretton (Spider-Man 4), students develop the 1st AD mindset: breaking down the shooting day, managing schedules, coordinating departments, calling the set, communicating with cast and crew, and solving problems under pressure. Students put their filmmaking skills into practice while learning how a professional set functions from call time to wrap. 

Learn to lead the day, support the creative vision, and keep production moving.


FINAL CUT: Post-Production Studio

6 weeks: Wednesdays, June 2 - July 7, 2027

FINAL CUT: Post-Production Studio Explore the art of shaping raw footage into a finished film through the distinctive approaches of filmmakers and editors like Thelma Schoonmaker (Goodfellas, The Departed), Walter Murch (Apocalypse Now, The Godfather Part II), and Joe Walker (Dune, Arrival). Students examine how editing, sound, music, color, pacing, and performance shape the final story. They’ll learn to build scenes, refine narrative rhythm, design sound, record ADR, work with music, and develop a cohesive visual style through color. 

Students take their production footage through the post-production process, making creative decisions that transform individual shots into a complete cinematic experience.

Learn to shape the story, design the experience, and finish the film.